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Reviews (1)
02 Aug, 2007
ISAO TOMITA / A MOOG GENIUS
0 of 1 found this helpful I KNEW THE CLASSIC MUSIC REINTERPRETED BY ISAO TOMITA A LONG TIME AGO : IN 1973 , WHEN I PURCHASED THE VINYL VERSION OF DEBUSSY'S PIANO OPERAS , TOGETHER WITH TWO LPs OF BACH COMPOSITIONS PLAYED BY WENDY CARLOS . IN THE FOLLOWING YEARS I BOUGHT SOME OTHERS TOMITA'S INTERPRETATION OF CLASSICAL COMPOSITIONS . DURING THE LAST DECADE I FOUND THAT PRODUCTION IN THE CD VERSION : THE ONLY ONE UNAVAILABLE IN MY PREFERRED MUSIC STORE WAS PICTURES AT AN EXHIBITION BY MUSSORGSKY . OBVIOUSLY IN MY CD COLLECTION ONE CAN ALSO FIND THE E.L.P. VERSION , BUT ISAO TOMITA'S READING OF THIS COMPOSITION , IN MY OPINION , IS CLOSER TO THE ORIGINAL ONE , WITH THE ONLY DIFFERENCE THAT THE INSTRUMENTS ARE EMULATED BY A SYNTHESIZER . AS A CONSEQUENCE , EVERYBODY CAN UNDERSTAND THAT I LOVE THE SOUND OF THE ANALOGIC MONOPHONIC SYNTH BY BOB MOOG : THE FOLLOWING GENERATIONS OF SYNTH , BY ALL THE BRANDS , HAVE A SOUND REALLY POOR COMPARED TO THE EARLY SEVENTIES ELECTRONIC ORGANS ... IN FACT ONE CAN FIND A LOT OF EMULATORS OF THE MOOG , OF THE ARP OR OF THE OBERHEIM SYNTHS , BUT NOBODY LOOKS FOR THE SOUND OF THE EARLY POLYPHONIC ONES . FINALLY , I WAS HAPPY TO FIND THIS CD : A VERY GOOD EXAMPLE OF WHAT A SINGLE MUSICIAN CAN DO WITH THE TECHNOLOGY AND WITH HIS GENIUS .